First Sentence: “Looks as if someone’s sliced her into three,” said Solomon Carter, the police surgeon, chattily.
Two thirds of a female body have been found; the head and the legs. Having been a member of “The Magic Men,” a Secret Service team of which he had been part during WWII, leads Edgar to reconnect with fellow member, Max Mephisto, especially after the shocking identify of the victim has been learned. A letter delivered to Edgar with the name of another magic trick, and another death, focuses him, with Max’s help, to find the rest of their old team…and the killer.
It is always interesting to learn the “how” behind magic tricks. And to consider the existence of a team of magicians, each with their own special skill, is particularly intriguing. In addition to Edgar, Griffith’s employs an effective segue to the past, informing us of the significant player, their skills and how they fit together. It is interesting that she chooses to insert this later in the story, but no less effective for so doing.
Griffiths has truly captured the feeling of stagecraft and the world behind the theater curtain. Although it is universal of all cultures, books set in the UK seem often to utilize the theme of a suspicion of forgiveness and hope of the perpetrator of violent crime being a foreigner. This is quite understandable being this soon after the War, but it need also be remembered that this was a time when people doubted television would ever succeed, thus limiting the exposure to those beyond their shores.
On the other hand, the Brits seem to have an ongoing regard for the old beliefs, including an acceptance of ghosts.”Naturally, the police station had its resident ghosts. The site was once a medieval monastery…and it was said that sometimes a monk could be seen moving casually through the thick stone walls of the basement.” But fear not, although this is anything but a paranormal mystery. Such injections do add to the sense of theatrically.
One can appreciate Griffith’s wry humour—“Max had a sudden vision of the Titanic tilting into the sea while the orchestra (hopefully in better tune than this one) played on.”—and her very visual descriptions—“He strolled through the picnicking families like Moses crossing the Red Sea. Moses in Italian shoes.” “The Zig Zag Girl” very effectively and steadily builds the suspense and tension, throwing in an excellent twist, with another twist upon that, and another upon that. Well done, Ms. Griffiths on a very good start to a new series.
THE ZIG-ZAG GIRL (Pol Proc-Det. Edgar Stephens- England – early 1950s) – VG Griffiths, Elly – 1st in series Houghton Mifflin Harcourt - Sept 2015
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