First Sentence: If they knew why he had come here, all these
men would turn away.
A Catholic nun and a young blind boy, Jonah Quill, have gone
missing; vanished in front of a sidewalk full of people. The nun’s body, along with three others, turn
up on the front lawn of Gracie Mansion, home to the mayor of New York
City. But where is the boy; a boy who is
the younger brother to the nun. Mallory
will dig through all the lies, including those of the mayor, in order to find
this lost child.
Carol O’Connell’s use of imagery never fails to impress—“The
stall was shallow, sized to fit a narrow sidewalk that was choked with sneakers
and sandals as the walking tour walked on.”
Her descriptions of people are immediately recognizable—“The mayor’s
aide, Samuel Tucker, was puffed up with all the importance of an entitled far
boy from some college of fastidious twits.” Part of what makes Mallory such a
captivating character is her complete disdain for artifice.
Mallory truly is one of those rare, completely unique
characters who makes one extremely uncomfortable, but fascinating. It is the “humanness” of those around her who
make her acceptable, even though she forces the world to deal with her on her
terms. It’s not out of cruelty, but
because it is the way she can control her world. Yet, one should not overlook the tiny “easter
egg” O’Connell provides.
And then there are those around her who, in a sense, inherited
her. Her partner Riker, her superior
Coffee, and all the others; particularly Charles, who is the antithesis is of
Mallory. Although readers would really
need to go back to the beginning of the series in order to fully understand
these relationships, O’Connell does a good job of allowing new readers to step
in and have a good sense of who they all are
The plot is as complex and unique as are the characters, which
is what makes this such a strong and compelling read. The times away from Mallory, and through
Jonah, are where one really sees O’Connell’s ability to convey emotion.
With O’Connell, it’s not the crime or the investigation that
holds you, although it has suspense that peaks, then levels, then peaks
again. It truly is the characters; both
those who are continuing throughout the series, and those who are part only of
this story. But most of all, it has the
incomparable Mallory.
“Blind Sight” is an excellent read. But above all, it is the writing and
O’Connell’s ability to create something truly individual that draws one in and
keeps one there to the very last word.
O’Connell, Carol – 12th in series
G.P. Putnam’s Sons – Sept 2016
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.