First Sentence: I did not want
to attend the burning.
These
are troubled times in England as the religious factions struggle to determine
who will control the Government and the danger of being accused of heresy is
still present. Even Queen Catherine Parr isn’t safe. When she finds
the book she wrote, “Lamentation of a Sinner,” missing from a locked chest
within her chamber, she calls on the aid of her faithful follower, lawyer
Matthew Shardlake, to find it for her before her enemies can destroy her.
Sansom doesn’t just describe a scene, he makes you part of it through the
descriptions and Matthew’s thoughts—“I looked out from the mullioned window
where I allowed Agnes to install some beehives and cultivate a herb garden….The
birds were signing and the bees buzzed round the flowers, everything bright and
colourful. However, he also makes it very clear that this is not a time
of peace and placidity. Sansom’s description of the burning of
heretics is also very vivid, and makes clear that this is a time of great
danger, when books were forbidden and destroyed; and heretics hunted down,
tortured and killed.
This
is a time of religious conflict between Rome, King Richard, the
Sacramentarians, and the Anabaptists. The whole story of the religious
upheaval and the division among the factions is complex yet fascinating.
Sansom does an excellent job of presenting the information clearly, and very
much makes the point about the danger of the time in which the story is set,
and the cost of combining religion with government. At the same time, he
is meticulous about relating the details of the period—“Since your father’s
being a landowner decrees you a area gentleman and gentlemen wear swords in
public, we may as well turn the sumptuary laws to our advantage.” The
descriptions of clothing, jewels, and the palaces are exacting and are offset
by the areas wherein reside people such as Matthew, and those of the lower, and
lowest, classes.
Sansom is very good at introducing—or reintroducing, to the followers of the
series—his characters. He ensures one knowing how each fits into the
story and Matthew’s world. It is also extremely helpful that the book
includes a “Principal Dramatis Personae.” The characters are
fully-dimensional. Matthew is certainly interesting. He is a hunchback
who has been bullied, a man who has seen war—“…whenever I saw soldiers now I
thought of my friends who had died, as I nearly had myself…” a lawyer, a man
who is pragmatic, yet one with tremendous loyalty to Queen Catherine
Parr. He is also fallible; both in actions and decisions.
Each of the characters contributes significantly to the
story. There is a strong subtext of loyalty, friendship, and the cost of both. The descriptions of King Henry VIII in the last stage of his life
is sad and an example of extreme excess and illness.
The first hundred or so pages are rather slow reading, but they are critical for understanding the period and the danger. However, when one gives oneself over to them, they are also rather fascinating, and certainly informative. From there, the story picks up quickly and the length of the book quickly becomes irrelevant and unnoticed.
“Lamentation” is not a story of palaces. It is a story filled with history, danger,
sword fights, death, suspense and plot twists; it is all here. There is
even a rather fascinating secondary plot which serves to relieve a bit of the
tension and serves as a diversion from Royal intrigues.
LAMENTATION (Hist Mys-Mattthew
Shardlake-England-1546) – VG+
Sansom,
C.J. – 6th in series
Mulholland, Feb 2015
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