First Sentence: Esa Khattak turned his head to the right, offering the universal salaam at the conclusion of the evening prayer.
Esa Khattak and Det. Rachel Getty are members of the Canadian Community Policing Section which handles minority-sensitive investigation. At first glance, it doesn’t seem that the death of Christopher Drayton, who is believed to have fallen from a cliff, fits their charter. Or does it? And is that Drayton’s real name? Was he really Canadian, or did he have a much darker past?
During this time in which we live, learning about other cultures and religions is not only informative but vital. The very humanizing aspect of Khattak’s rug being made by his ancestors, and that we learn of his wife’s death, are good indications of the man. It is also an excellent introduction to the character’s history and that of the unit he heads up; the Community Policing Station.
How refreshing when an author with eschews chapter-ending cliff hangers, but with uses clues instead. Good chapter headings; some mild, others disturbing, are also much appreciated and can add so much—“Father, take care of my children, look after my children.” It is only much later one realizes the significance of these passages. There are many passages within the text that cause us to pause and consider—“Because friendship was more than a source of comfort, or a place of belonging. It was a source of responsibility.”
Although this is the first book in the series, there are constant references to a past time where Rachel and Khattack worked together. One may find this more annoying than informative. However, learning of Rachel’s background and present concerns does bring her to life. What is interesting is how Rachel actually becomes the lead character after Khattack becomes too personally invested in the events. She is a wonderful character and one of whom one would like to see more.
Best of all, we are provided with so many examples of such fine writing—“She scorned those who genuflected at the temple of nonviolence, their voices ringing with praise of the defenseless victims of butchery while they sat on their hands when the gods of carnage came calling.” So much of the book’s theme is relevant today—“It was a compelling history lesson: how quickly the violent ideals of ultra-nationalism led to hate, how quickly hate to blood.”
“An Unquiet Dead” is more a novel and a warning—“Everywhere the radical right was rising: Sweden, France, Belgium, Denmark, Holland. While a steady stream of vitriol drifted north of the US border.”--rather than a mystery. Either way, it is disturbing and painful, and excellent.
THE UNQUIET DEAD (Crime Novel-Rachel Getty/Esa Khattak-Canada-Contemp-) – Ex
Kahn, Ausma Zehanat – 1st in series
Severn House – Feb 2017