First Sentence:
When she saw the telephone pole with the yellow plastic base again,
Olivia Fletcher slammed on the brakes of her mail truck, bringing it to a
skidding halt.
FBI
Agent Jessica Blackwood’s boredom on stakeout is irrevocably broken by a woman
appearing at the door threatening to kill the baby she’s holding. The same day
a major earthquake hits the East Coast, and a video is televised of well-known
Peter Devon, dead for eight years, predicting the location and date of the
earthquake, promising more predictions to come.
But for Jessica, the critical question becomes who is pulling the
strings of the building chaos.
There’s
nothing like a really good opening. An
entire town disappearing is a really good opening.
Jessica
Blackwood is a fascinating character; as is the author himself—do read his
bio. You know a book about a woman whose
father and grandfather were magicians, as she also was before working in law
enforcement, is going to be different.
However, it only takes a few pages before you also realize how intense
is the action.
Mayne
has a wonderfully readable voice; he’s a natural storyteller. He has done an
excellent job of having created a completely believable female character. He moves the story along at a rapid pace, but
doesn’t rely on any one device. Yes,
there’s suspense, but the story is also filled with Jessica’s memories,
historical information, her observations, and even her insecurities—“I bought
this outfit three years ago, and I’m sure I didn’t see a single person with the
same lapel style in the entire FBI building in the last twelve months. It’s stupid stuff like this that drives me
nuts. I’m hung up on it because I think
other women may be hung up on it. It’s a
vicious cycle.” It's not easy for authors to write cross gender, but Mayne does it exceptionally well.
More
than a mystery, the story is filled with fascinating ideas in
information—“Almost five hundred years ago, John Wilkins, a philosopher and
bishop, pushed heavily for the written language to adopt an upside-down
exclamation point at the end of a sentence to indicate irony. Think of how many online feuds that could
have prevented.” While some authors
cause one to seek a dictionary, Mayne prompts visits to Wikipedia.
Damian
is an intriguing character about whom we’d like to know more. And, we realize we probably won’t. It is that mystery that keeps him so
intriguing.
Mayne
is frighteningly spot on with some of the events happening today. This makes the book both fascinating and
terrifying—“The ammunition is rumor,
innuendo, misinformation, and leaks. …the delivery vehicles are ordinary
citizens, journalists, media personalities, and politicians.” As much as I tend to dislike prologues, the
connection to it is very well done later in the story.
Good
dialogue, natural-sounding dialogue, can make all the difference to a story
even when it’s a monologue to a horse perfectly conveying the character's nervousness about the situation—“Alright, boy. If you don’t hear from me in ten minutes, go
get help.” Silverback stares at me blankly. … “And get me a grande latte…um,
and a cowboy…blue eyes, independently wealthy, not too rustic….” I pat
Silverback on the flank, which he interprets as a signal to start walking. I chase after him and grab the reins. “Wait!
Hold up. Not yet.” Silverback stops and gives me another of his
looks: Seriously, lady?”
“BlackFall” has excellent suspense, and twists; great characters, and very relevant
themes. It is, so far, the best book in
the series. Yes, at times, it’s
over-the-top and there are plot holes, but one doesn’t really care. Once embroiled in the story and the series,
it doesn’t let go. One simply,
impatiently, waits for the next book.
BLACK FALL (Pol
Thriller-Jessica Blackwood-US- Contemp) – VG+
Mayne,
Andrew – 4th in series
Harper
Perennial – March 2017
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