First Sentence: Daniel rang the
doorbell, then stepped back.
Jemima Pitt has returned to England
with her American policeman husband Patrick. As
well as visiting the Pitt family, they’ve come to ask a favor of her brother Daniel, now a lawyer. British Diplomat Philip Sidney attacked
Jemima's friend, Rebecca, in her bedroom and stole a necklace whilst Philip was
stationed in Washington, D.C. Under protection of diplomatic immunity, he
returned to England. Jemima and Patrick
want Daniel's help in bringing Sidney to justice. Brought up on charges of embezzlement, Sidney
asks Daniel to represent him. After a
murder back in Washington, and the possibility of the case becoming a major
international incident, Daniel, along with forensic scientist Mariam fford
Croft, travel to the Channel Island to learn the truth.
One often worries as to what an author
will do when the protagonist of a long-running series ages. Ms. Perry
solved the problem by having the protagonist's children age as well and now,
for the second time, we have Daniel Pitt stepping into the foreground. So
as not to lose readers, new or old, Perry summarizes the backgrounds of the
members of the Pitt family. This is
particularly helpful to those who are new to Anne Perry's very well-done
historical mysteries.
The story, quite appropriately, raises
the issue of prejudice against Jews and the Irish, the latter seamlessly
incorporated by the fact of Rebecca's husband, and Daniel's brother-in-law,
both being of Irish heritage. That there is a role-reversal between
Jemima and Patrick when discussing Rebecca's situation is interesting and very
well done. Penny does a masterful job of
presenting both sides of the situation and its possible outcome.
Moreover, she places doubts in one's mind regarding the motives and
possible guilt of the characters. There
is so much "here" here.
Perry can make even basic English
cooking sound delicious—"Lamb chops; the freshest of peas, as mild and delicate
as possible, with a little mint and plenty of butter, and boiled potatoes."
However, the transition from food to a very astute observation—"Have you
noticed how often it is not the crime or the disaster of a scandal that brings
down an otherwise great man, but the lies he tells to avoid admitting
it?"—is extremely well done.
Perry's characters
are some of the most fully-developed one will find. Each has complexity
and definition. Even the most severe of
them can occasionally make one smile; if not at a bit of dialogue, then at the
very human attributes. Mariam fford Croft is one such character and, true
to form, only Perry could create such a strong connection between two
characters without its being romantic.
The occasional bon mot lightens a
scene—"Not another corpse to dig up, I trust? You're a little
early. We don't do that sort of thing
until midnight. It tends to disturb the
locals." Those are balanced by ideas that make one stop and
consider—"We all make mistakes, Jem. It's how we live with them
afterward that matters. Accept that we
really were wrong, don't make excuses or blame anyone else. The moment you say 'I was wrong' you can
begin to move on."
"Triple Jeopardy" is an extremely well-done story of families, loyalty, and betrayal. Filled with excellent characters, it is brought to a dramatic and explosive conclusion.
TRIPLE JEOPARDY (HistMys-Daniel Pitt-London-1910) - VG
Perry, Anne – 2nd in series
Ballentine Books – April 2019
I really do like Perry's ability to evoke that earlier time. She's very skilled at setting the context, I think. And it sounds as though that works well here, too. Glad you enjoyed it.
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