First Sentence: Scotland Yard is of the opinion that we at the Barker and Llewelyn Agency are barking mad.
Private Enquiry agents Cyrus Barker and Thomas Llewelyn have had a wide assortment of cases. This is something new. Roland Fitzhugh, a Member of Parliament, was rebuffed by the police over his claim that someone was trying to kill him. Entering the office of Barker and Llewelyn, he falls to the floor, dead. Baker feels obligated to find the killer and more deaths follow. The threat becomes personal and enters Barker’s house. Can the Agency uncover the killer in time?
Because Thomas writes from the point of view of young Thomas Llewelyn provides an intimacy to the story and an introspection. At times, Llewelyn's observations also provide an element of humor—"Later, I found out I'd got it all wrong. There's more than porridge in the old Llewelyn noggin."
The opening of the book is both clever and interesting. It’s well done that we meet the ensemble of policemen in very short order and understand their rankings. Sergeant Kirkwood quickly becomes one’s favorite. By the police not believing Fitzhugh, it moves the crime to its critical location, establishes the rank of the victim, and creates an important historical link. An interesting factual tidbit is that in those times, members of parliament had originally been barristers.
Thomas cleverly establishes Llewellyn as one who is trying to be the practical Welshman and look after the business side by questioning spending time on a case for which they won’t get paid, while Barker is looking at the moral side of feeling obligated to a man who asked for their help before he died. That Thomas includes Llewelyn’s introspection adds depth and humanity to the character. Adding actual historic characters and events, such as William Gladstone introducing a bill for universal health care and rearranging the country into smaller, self-government districts, called town councils on which women would be allowed to serve. And who doesn’t love the inclusions of Shakespeare?
An ensemble cast, when done well, gives a sense of depth and realism. No one operates in the vacuum, either professionally or personally. Thomas surrounds his protagonists with police contacts, their co-workers, household members, employees, friends, and Llewellyn’s wife Rebecca.
Despite this being the thirteenth book in the series, Thomas hasn’t allowed the characters to stagnate. Instead, they have developed, grown, and their lives have changed. This keeps them real, interesting and gives them greater depth with each book.
Thomas demonstrates the way a book should be done with a case that grows threat by threat, victim by victim. The reader doesn’t know the identity or the killer, nor for a while, even who is the actual intended victim. When the killer is revealed, one is caught off guard, yet delighted by the character who uncovers the truth. Thomas doesn’t resort to the overused devices of prologues or portents. What exposition there is, and it’s not much, isn’t there to expand the page count, but to provide historical clarity.
FIERCE POISON is 292 pages of mystery and intrigue with a very clever plot. An excellent final chapter plays with one’s emotions and leaves one anxious for the next book.
FIERCE POISON
HistMys-Barker/Llewelyn-England-1893
Will Thomas – 13th in series
Minotaur Books, Apr 2022, 292 pp.
Rating: VG+/A
I do like this series, and one of the reasons is the way that Thomas as developed the relationship between Barker and Llewellyn. I like it that they both grow, too. And in my opinion, Thomas captures the era well.
ReplyDeleteI agree. Thank you, Margot.
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