First Sentence: Christopher Marlow started at the
newly mown lawn, and the tower of St. Benet’s Church reaching sweetly toward
God in morning’s light.
Young Oxford student
Christopher Marlow is recruited by representatives of Sir Francis Walsingham,
spymaster to Queen Elizabeth. There is a plot brewing against the
Queen. The person with its details is being held in seclusion within a
heavily guarded dungeon in Malta. Against foreign governments, including
representatives of the Pope, Marlow must rescue the prisoner, and help to save
the Queen from assignation and England from invasion.
Talk about intriguing
subterfuge from the very first page! There is no gentle entry into this
story. No, the excitement begins on the very first page.
DePoy’s dialogue has just
the right hint of the period to it, and is always a pleasure to read. His
humor and insightfulness is evident—“How long will this trip take?” “Another
two hours, possibly three.” ”How long if we ask the driver to speed the
horses?” “Five hours.” “How is it longer,…if we go faster?”
“If your eye is fixed on a destination in the distance,…it’s impossible to
watch the road in front of you.” There is nothing like a bit of
cat-and-mouse on the high seas when combined with delightful repartee—“Take the
longboat by ourselves, set the sail and manage.” “Can you sail a boat
like that?” “NO…You’re the one from the proud race of
circum-navigating sea folk!” “I’m a doctor!” “I’m a student!”
While the dialogue for Marlow is quick and clever, he soon shows himself as
someone not to be underestimated.
One will be amused by the
references to Shakespeare’s/Marlow’s plays—“What surprised him was how
comforting he found the prospect of death. Dying was only a chance to
sleep…” The way in which Marlow views a situation or location as a scene
in a play to gain a clear perspective is very clever.
The history surrounding
the plot is critical to the story, and it is included in a way that not only
educates us, but intrigues us. This was a time of tremendous plotting and
upheaval, and where women could be as, and occasionally more, capable and
powerful than were men. We are also made aware of how strict and precise
the laws of the period could be—“No longer dressed in her gray man’s costume,
she wore a plain green linen dress. …the Queen’s Sumptuary Laws allow
both lower and upper classes of women to wear that particularly color.”
“A Prisoner in Malta” is filled
with high action, plot twists, and double-crosses on double crosses. The
history and characters are wonderful and, has one of the best conclusions one
can remember reading.
A PRISONER IN MALTA (Hist Mys-Kit
Marlow-England/Malta-1583) – VG+
DePoy, Phillip –
Standalone
Minotaur, January 2016
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