First Sentence: It was the fly that got to him.
Sebastian St. Cyr, his wife
Hero, and infant son, Devlin, have travelled to Ayleswick-on-Teme in order to
fulfill a promise to St. Cyr's half-brother, and to find out more about his own
background. The village’s inexperienced magistrate, having heard of St.
Cyr, asks his help in investigating the supposed suicide of a young woman
visiting their town. However, it becomes apparent that the suicide was
murder, and the woman was not who she said. Was she associated with
village resident Lucien Bonaparte, brother-in-law to Napoleon?
Harris is such a
wonderfully visual writer—“A spry middle-aged chambermaid with a leprechaun’s
face and wild iron gray hair imperfectly contained by a mobcap opened the door
and bobbed a quick curtsey.” She takes you into the period and places you
in the location—“The evening, as the sun slipped toward the western hills and
the sky faded from a hard blue to a pink-tinged aquamarine. The air smelled
fresh and clean, a cool breeze rippled through the long grass, and a hawk
circled effortlessly overhead.”
Harris has a remarkable
way of humanizing a location and making us wish to be a part of it—“I was
sitting here thinking about all the generations of men and women who’ve walked
these same lanes, who plowed the same fields century after century and listened
to the same church bells toll the hours of their lives, and then buried their
dead in the same churchyard.” This may be particularly poignant for those
of us who have lived transitory lives. At the same time, she reminds
us—“most people’s capacity for evil is infinitely greater than we’d like to
believe.”
One of the most wonderful
things about reading historical mysteries is learning new things in a way that
isn’t the author trying to impress upon you how much research they’d done.
Instead, Harris incorporates the information seamlessly into the context of the
story. Among other things, Harris not only tells us about the
Enclosure Act, but clearly illustrates the devastating impact it had on the
lives of the people.
The pacing is very well
done. Although the chapters are quite short, the story has an excellent
flow that keeping one turning the pages, sometimes way past when one should
have been asleep. Beyond solving the crime, the secondary thread of
Devlin tracing his past is engrossing, well done, and increasingly
complex.
Devlin and Hero are
refreshing in that although it is Devlin who does the principal investigation,
Hero does become involved in ways that are completely appropriate to her
position and the period. That is especially appreciated by those of us
who value seeing the period accurately represented. There are a lot of
characters, however; so a cast of characters would have been helpful.
“When Falcons Fall" is
wonderfully intricate with plot twists that surprise. The characters are
very well done, and the history woven in beautifully.
WHEN FALCONS FALL (Hist Mys-Sebastian St.
Cyr-England-1813) – VG
Harris, C.S. – 11th
in series
Obsidian, March 2016
I always like casts of characters, particularly if I have to read a book over an extended period of time. But I've been told some readers find them a turn-off for reasons I've never exactly understood.
ReplyDeleteAnd I hit publish before I had a chance to say thank you for the lovely review!
DeleteI am looking forward to the latest in this series and to meeting the author at Bouchercon this fall!
ReplyDelete