First Sentence:
The body was staked out in the north-east corner of the churchyard.
The
murder of a former West Indies planter causes suspicion to fall on a runaway
slave who is now working as a bookseller in London. It also has an emotional impact on Harriet
Westerman’s senior footman, William Geddings.
As Harriet and her friend, anatomist Gabriel Crowther, become more
involved in the murder, they become more aware of how much of Britain’s wealth
is built on the shameful trade of human lives.
It
is an excellent touch that the book opens from the perspective of a character
rarely the focus of historical mysteries.
We also know we are in for a story that is difference, and possibly
uncomfortable as Robertson gives us a perspective and insight into the English
involvement in the slave trade.
The
quality of an author’s dialogue makes such a difference to a story. Robertson writes excellent dialogue with
enough sense of the period to make it realistic. But it also tells us a lot about the
characters. …”You were doing better when you were praising my talents,
Crowther, rather than taking the chance to insult my husband and my
intelligence. I told you, as a friend,
what William said about my husband.
Please do not use it to try and play on me like a cheap fiddle!” The repartee between Harriet and Crowther is
always a delight.
As
for characters, they are fully-developed and very memorable. Harriet and Crowther come to life and each
holds their own. Theirs is a relationship
of friendship and respect. Jane Austin
would definitely have approved, although she might have been a bit intimidated
by Harriet. She is very much in the
style of Mrs. Croft from “Persuasion,” while Crowther has slight shades of
Colonel Brandon, as played by Alan Rickman, from “Sense and Sensibility.” One knows that the characters, and the series, truly
speaks to readers when one imagines who would be cast in their roles. There is also a very good introduction to
those who surround Harriet and how they all fit together.
Robertson
has a wonderful voice and ability to convey emotions. Through them you not only get to know the
character, but you feel the pique of Harriet, the sorrow of a young boy, and
the apprehension of a free black man.
You truly feel what the characters feel.
Yet Robertson also paints visual descriptions…”The hedgerows were thick
with the stars of Queen Anne’s Lace, and the hawthorn bushes heavy with
blossom—and the quiet cut through him.”
“Theft of Life” is wonderful in so many aspects; not the least of which is an
excellent mystery with well-done twists and a suspenseful climax. It is a remarkable book and one which should
be read.
THEFT OF
LIFE (Hist mys-Harriet Westerman/Gabriel Crother-England-1785/Georgian) – Ex
Robertson, Imogen – 5th in
series
Headline
– 2014
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