First Sentence: The small gas lamps along the walls of the corridor
flickered as if there were a draught, but Hester knew, it being well
after midnight, that all the doors were closed.
Hester Monk is
filling in at London’s Royal Naval Hospital for a nurse who is sick.
She discovers three small, horribly dehydrated children and learn they
have been purchased from their impoverished parents and are imprisoned
as donors for an experiment by the Rand brothers—Magnus, a doctor, and
Hamilton, a chemist. Hester is kidnapped and taken by the brothers with
the children, a wealthy patient and his daughter; Hester knowing the
four of them will die if the experiment fails.
Perry
starts the story by hitting all the right notes; a strong sense of place
and time, compelling well-introduced characters, and a sense that
something is very wrong.
Perry’s characters are alive, their
personalities are real and their speech reflects their status and
upbringing. She excels at showing us the unpolished reality of live
from the most poor and vulnerable to those with wealth. Monk’s amnesic
past is always intriguing in the questions it presents to him without
any answers. Hester is her most noble and determined as a former WWI
nurse. Rathbone’s frustration as a disgraced judge now reduced to
serving as second chair in a trial is palpable. But it’s the supporting
characters in their lives that add real spice to the story and make it
completely delicious.
What is delightful is the sense of this
being a Victorian-era version of “Law and Order,” beginning with the
crime and carrying the story on through the trial and all the way to the
resolution. However, this is even better than that in that things are
not cut-and-dried. There is much more nuance and a strong layer of
moral question which elevates this beyond the ordinary. Without making a
point of it, the book demonstrates how far criminal justice has come
through the advancement of crime-scene investigation and forensics.
The
court proceedings are anything but boring, particularly with the
inclusion of a wonderfully dramatic moment. Perry so clearly describes
that evil does exist in people, and her definition of hell gives us
pause.
“Corridors of the Night” demonstrates, once again, that
Perry still reigns in creating mysteries that enthrall, educate, and
make us think. One reason for reading mysteries is for the comfort of
justice being served. Ms. Perry makes us question whether there is such
a thing as true justice.
CORRIDORS OF THE NIGHT (Hist Mys-Monk/Hester-England-1800s) – VG+
Perry, Anne – 21st in series
Ballantine Books – Sept 2015
Photo-A-Day: June 26, 2014 - Photographer's Choice
10 years ago
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